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Murder, media and manifestos: The trial of Luigi Mangione
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The Reel Report: ‘Howl’s Moving Castle’
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Spring movies that capture the beauty, mystery and rebirth of the season
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‘Thunderbolts*’ review: Marvel looks inward, and it sees The Void
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‘Sinners’ review: A modern myth reforged in blood
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Officials say that The Coney would bring jobs and economic growth to Coney Island, but may come at the cost of the borough's historic charm and artistic legacy
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One Nation, Under Law–except for the President
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Middle Eastern pain shouldn’t be a metaphor
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Lady Gaga’s new single ‘Disease’ portrays dark emotional battles
Sabrina Crowley
, Staff Writer
November 2, 2024
‘CHROMAKOPIA:’ The greatest expression of a slight mid-life crisis ever made
Sheila Rafizadeh
, Assistant Op/Ed Editor
November 1, 2024
Crosby, Stills, Nash & Young’s ‘Live at Fillmore East’ revives the spirit of 1969
Sophia Weiss-Goldner
, Staff Writer
October 28, 2024
Limp Bizkit sues UMG for $200 million in unpaid royalties
Jenn Morriss
, Contributor
October 20, 2024
Angel Olsen, R.E.M., MJ Lenderman and more featured on hurricane relief compilation album
Jules Kelly
, Executive Editor
October 10, 2024
Bon Iver is back
Ava Scott
, Contributor
September 30, 2024
Jane Says: Jane’s Addiction is over
Sophia Weiss-Goldner
, Staff Writer
September 25, 2024
Fifth time’s the ‘Charm:’ Clairo’s fifth and final Webster Hall residency show
Ashley Rosado
, Assistant Arts Editor
September 23, 2024
‘Manning Fireworks’ Review
Jules Kelly
, Executive Editor
September 21, 2024
‘EUSEXUA’ by FKA twigs review
Jessica Fallucca
, Columns Editor
September 19, 2024
The 2024 VMAs recap
Jenn Morriss
, Contributor
September 17, 2024
Arts Corner: April Edition
Josh Ilano
, Arts Editor
April 18, 2024
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