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January 17
A survival strategy or a political stake?
January 17
Legendary filmmaker and ‘Twin Peaks’ creator David Lynch dies at 78
January 15
Israel and Hamas agree to Gaza ceasefire
January 12
‘I’m Still Here’ Review
December 29
The Pace Press’ 25 best albums of 2024
December 28
The Pace Press’ 15 best films of 2024
December 25
House Ethics Committee publishes 37-page report on Matt Gaetz
December 23
Diary of a Musician: The starter stage
December 20
Is DEI dead?
December 19
‘A Complete Unknown’ makes a mockery of Bob Dylan
December 17
AI at the University
December 13
Kierce’s Book Corner: ‘House of Leaves:’ Interactivity in literature
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The Pace Press’ 15 best films of 2024
Jules Kelly
,
Sophia Patti
,
Flavio Moreira
, and
Ethan Tierno
December 28, 2024
Five perfect movies to watch this fall
Josh Ilano
, Treasurer
October 4, 2024
Countdown to the Oscars
Jules Kelly
, Secretary
March 8, 2024
Romance movies to get you in the V-Day mood
Jenna Rapsis
, Staff Writer
February 14, 2024
Best Christmas mood movies to watch this holiday season
Kayla Baldwin
, Contributor
December 15, 2023
‘Saltburn’ review
Lindsay Paul
, Staff Writer
December 10, 2023
Not Everything has to be a musical
Kayla Baldwin
, Contributor
December 8, 2023
‘Stop Making Sense’ turns heads
Sophia Patti
, Contributor
October 11, 2023
What to watch at the 2023 New York Film Festival
Lindsay Paul
, Contributor
October 11, 2023
The enjoyable, mindless absurdity of “Renfield”
Ashleigh O'Gradney
, Staff Writer
April 17, 2023
‘Shazam! Fury of the Gods’ is an underwhelming and confusing mess
Flavio Moreira
, Staff Writer
March 24, 2023
Genre-defying ‘Everything Everywhere All at Once’ stole the show at the 95th Academy Awards
Sarah Bergin
, Arts Editor
March 14, 2023
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