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February 21
The courts might be our last defense
February 21
The War on Books: How book bans threaten democracy and education
February 19
Trump’s America reads more like ‘The Handmaid’s Tale’
February 17
Kendrick Lamar’s Halftime performance was a political statement
February 17
The Reel Report: ‘Interstellar’
February 14
Nick’s Sports Spotlight: Philadelphia Eagles dominate the Kansas City Chiefs 40-22 in Super Bowl LIX
February 14
Dorm room date ideas
February 13
FBI pick Kash Patel is a graduate of the University’s Law School
February 12
Graduating seniors reflect on their journeys
February 12
Hundreds attend ‘Reject Project 2025’ protest in City Hall Park
February 12
Chappell Roan calls out criticism of Grammys speech
February 12
Spotify wins lawsuit amid bundling controversy
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‘EUSEXUA’ Review
Gabriel Giberson
, Arts Director
February 1, 2025
A lyrical interpretation of ‘Petrichor’ by 070 Shake
Zora Thomas
, Contributor
November 29, 2024
‘CHROMAKOPIA:’ The greatest expression of a slight mid-life crisis ever made
Sheila Rafizadeh
, Assistant Op/Ed Editor
October 31, 2024
Crosby, Stills, Nash & Young’s ‘Live at Fillmore East’ revives the spirit of 1969
Sophia Weiss-Goldner
, Staff Writer
October 27, 2024
Earworms: ‘Live at the Cellar Door’ by Neil Young
Sophia Patti
, Arts Editor
October 14, 2024
‘Manning Fireworks’ Review
Jules Kelly
, Executive Editor
September 21, 2024
“1989 (Taylor’s Version)” Review
Jacob Sneed
, Contributor
November 11, 2023
An ode to a melancholy trip to the moon: boygenius’ ‘The Rest’
Ashley Rosado
, Contributor
October 29, 2023
Sufjan Stevens finds beauty in heartbreak on ‘Javelin’
Jules Kelly
, Secretary
October 21, 2023
‘The Record’ sacrifices collaboration for individual triumph
Sarah Bergin
, Arts Editor
April 4, 2023
Taylor Swift shows vulnerability in reflective album ‘Midnights’
Sarah Bergin
, Arts Editor
November 1, 2022
A glimpse inside the vault of ‘Red (Taylor’s Version)’
Grace Potter
and
Jaeden Pinder
November 14, 2021
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