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October 16
Sean ‘Diddy’ Combs sentenced to 50 months in prison
October 16
The Fossilized Online Self: Fashion, Aesthetics and Authenticity in Digital Culture
October 15
Saturday Night Live is finally back to bless our screens
October 10
The Reel Report: 'Practical Magic'
October 10
Jimmy Kimmel: Canceled and Returned
October 10
CCAR aims to help University students register to vote
October 9
Gen Z cannot save the world
October 9
Is New York City Club Culture Dying?
October 9
“The Roses” Review - Wake up and smell “the roses”
October 9
Disturbing coincidences emerge after teen's remains found in d4vd's tesla
October 9
Adams drops Mayoral reelection bid weeks before NYC election
October 7
2025 New York City Mayoral Election
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‘EUSEXUA’ Review
Gabriel Giberson
, Arts Director
February 1, 2025
A lyrical interpretation of ‘Petrichor’ by 070 Shake
Zora Thomas
, Contributor
November 29, 2024
‘CHROMAKOPIA:’ The greatest expression of a slight mid-life crisis ever made
Sheila Rafizadeh
, Assistant Op/Ed Editor
November 1, 2024
Crosby, Stills, Nash & Young’s ‘Live at Fillmore East’ revives the spirit of 1969
Sophia Weiss-Goldner
, Staff Writer
October 28, 2024
Earworms: ‘Live at the Cellar Door’ by Neil Young
Sophia Patti
, Arts Editor
October 14, 2024
‘Manning Fireworks’ Review
Jules Kelly
, Executive Editor
September 21, 2024
“1989 (Taylor’s Version)” Review
Jacob Sneed
, Contributor
November 11, 2023
An ode to a melancholy trip to the moon: boygenius’ ‘The Rest’
Ashley Rosado
, Contributor
October 29, 2023
Sufjan Stevens finds beauty in heartbreak on ‘Javelin’
Jules Kelly
, Secretary
October 21, 2023
‘The Record’ sacrifices collaboration for individual triumph
Sarah Bergin
, Arts Editor
April 4, 2023
Taylor Swift shows vulnerability in reflective album ‘Midnights’
Sarah Bergin
, Arts Editor
November 1, 2022
A glimpse inside the vault of ‘Red (Taylor’s Version)’
Grace Potter
and
Jaeden Pinder
November 14, 2021
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