Review – The Pace Press

An ode to a melancholy trip to the moon: boygenius’ ‘The Rest’

Ashley Rosado, Contributor
October 29, 2023

Ricky Montgomery headlines alongside University performers at PMG 2023 Spring Concert

Julianna Lamourt, Staff Writer
April 29, 2023

Rico Nasty’s contagiously energetic performance at ‘Webster Hall’

Sheila Rafizadeh, Staff Writer
April 24, 2023

English band takes Flyte in Brooklyn

Gia Sparacino, Secretary
April 18, 2023

The enjoyable, mindless absurdity of “Renfield”

Ashleigh O’Gradney, Staff Writer
April 17, 2023

‘The Record’ sacrifices collaboration for individual triumph

Sarah Bergin, Arts Editor
April 4, 2023

‘Beau is Afraid’: Ari Aster’s new nightmare

Jules Kelly, Staff Writer
April 3, 2023

‘John Wick: Chapter 4’: bigger does mean better

Ashleigh O’Gradney, Contributor
April 3, 2023

‘Resident Evil 4’ remake modernizes a classic masterpiece

Lydia Lutchman, Staff Writer
April 2, 2023

‘Shazam! Fury of the Gods’ is an underwhelming and confusing mess

Flavio Moreira, Staff Writer
March 25, 2023

Watching ‘Ant-Man and the Wasp: Quantumania’ is a chore that everyone must complete

Ashleigh O’Gradney, Contributor
February 27, 2023

‘Black Panther: Wakanda Forever’ tributes the late Chadwick Boseman

Mandi Karpo, Editor-in-Chief
December 5, 2022

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