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January 17
A survival strategy or a political stake?
January 16
Legendary filmmaker and ‘Twin Peaks’ creator David Lynch dies at 78
January 15
Israel and Hamas agree to Gaza ceasefire
January 12
‘I’m Still Here’ Review
December 29
The Pace Press’ 25 best albums of 2024
December 28
The Pace Press’ 15 best films of 2024
December 25
House Ethics Committee publishes 37-page report on Matt Gaetz
December 23
Diary of a Musician: The starter stage
December 20
Is DEI dead?
December 19
‘A Complete Unknown’ makes a mockery of Bob Dylan
December 17
AI at the University
December 13
Kierce’s Book Corner: ‘House of Leaves:’ Interactivity in literature
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The Collective at Pace enamors University at Spring Showcase
Savannah Ford
, Staff Writer
May 7, 2023
Ricky Montgomery headlines alongside University performers at PMG 2023 Spring Concert
Julianna Lamourt
, Staff Writer
April 29, 2023
Rico Nasty’s contagiously energetic performance at ‘Webster Hall’
Sheila Rafizadeh
, Staff Writer
April 24, 2023
English band takes Flyte in Brooklyn
Gia Sparacino
, Secretary
April 18, 2023
The enjoyable, mindless absurdity of “Renfield”
Ashleigh O'Gradney
, Staff Writer
April 17, 2023
Springtime picnics: April Press-Playlist
Sarah Bergin
, Arts Editor
April 15, 2023
‘The Record’ sacrifices collaboration for individual triumph
Sarah Bergin
, Arts Editor
April 4, 2023
Jonathan Majors charged with assault and harassment in Manhattan
Charlie Messinger
, Staff Writer
April 3, 2023
‘Beau is Afraid’: Ari Aster’s new nightmare
Jules Kelly
, Staff Writer
April 3, 2023
“The Last of Us” claims the spot of best video game adaptation
Lydia Lutchman
, Staff Writer
April 3, 2023
‘John Wick: Chapter 4’: bigger does mean better
Ashleigh O'Gradney
, Contributor
April 3, 2023
‘Resident Evil 4’ remake modernizes a classic masterpiece
Lydia Lutchman
, Staff Writer
April 2, 2023
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